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Twitter has restricted access to two recent tweets by Turkish Interior Minister Süleyman Soylu that referred to LGBT people as “perverts,” saying the tweets violated the platform’s rules on hateful conduct, Turkish Minute reported on Tuesday, citing Deutsche Welle’s Turkish edition.

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Twitter has restricted access to two recent tweets by Turkish Interior Minister Süleyman Soylu that referred to LGBT people as “perverts,” saying the tweets violated the platform’s rules on hateful conduct, Turkish Minute reported on Tuesday, citing Deutsche Welle’s Turkish edition. ANKARA, Turkey (AP) — Twitter on Tuesday limited access to a tweet by Turkey’s interior minister, who referred to students protesting the appointment of a government loyalist to head their university, as “LGBT perverts.”.

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Thus, the supercut entails not simply a mode of editing, but a mode of thinking expressed by a mode of editing. The latest posts from @turco_gay. As time went by and the aesthetic of assembling appropriated footage into a matching list of clips spread far beyond fan turks gay twitter on YouTube, I felt it was time to return to the history of the supercut, try to fill in the gaps of the existing work on it, and account for the social meaning behind its proliferation.

The latest posts from @turco_gay. Ades, D. In: Augaitis, D, et al. Encontre empresas locais, visualize mapas e obtenha rotas de tráfego no Google Maps. In its desire-centered aesthetics and its often-evidentiary uses, the supercut carries many of the promises and threats of the database episteme. Lesbian, gay, bisexual, transgender, and queer (LGBTQ) people in Turkey face legal challenges not experienced by non-LGBTQ residents, though the overall situation is considered to be less repressive when compared to most other Muslim-majority countries.

Deploying over a hundred video clips, I show how existing histories of the supercut, which tend to center on avant-garde filmmaking or fan cultures, both fail to mention a great deal of relevant works and, in some cases, greatly misunderstand the nature of the form. Istanbul’s bear community interacts with each other in several bars, clubs, and via the internet. With these various cultural series of the supercut in place, part three theorizes the histories of the supercut as a tale of the emergence of the database episteme.

Turkish police detained at least 30 people in central Istanbul on Sunday as they tried to take part in a Pride March, which authorities had banned as part of a years-long clampdown on LGBTQ+. The supercut was not invented within the avant-garde, later making its way into more populist forms of entertainment; rather, the roots of the form appeared simultaneously in many places at once.

Just as capitalism treated workers as machines as a prelude to workers being replaced by machines, so also supercutters simulate database thinking in apparent anticipation of a moment, perhaps in the near future, when neural networks will be able to search the entirety of digitized film history and create supercuts themselves, automatically. This phenomenon of multiple-emergence is most evident in the s, where montages that first resemble what would later be called supercuts pop up in newsreels, sight gags in silent comedies, city symphonies, agit-prop documentary, German cross-section montages, mainstream narratives, and more see, for example, The Cruise of the Jasper B.

Despite the fact that the supercut embodies database-thinking, or at least a kind of simulation of a computer search operation, up to this point our histories of the supercut have been primarily archival, focusing on a few favored works and creators while not noticing the bulk of the tradition. De onde vêm as imagens?

Part one analyses the aesthetics of the supercut in terms of what kind of attention the form naturally emphasizes or intensifies. Soylu’s tweets came after two students from the İstanbul-based Boğaziçi University were arrested. ANKARA, Turkey (AP) — Twitter on Tuesday limited access to a tweet by Turkey’s interior minister, who referred to students protesting the appointment of a government loyalist to head their university, as “LGBT perverts.”.

O Bing Maps oferece serviços de mapeamento abrangentes, incluindo mapas rodoviários, vistas aéreas e imagens da rua. O Google Earth é a versão digital mais fotorrealista do nosso planeta. My thoughts then comprised little more than a list; an attempt to add a few works to the prehistory of the supercut that I felt Kiss and other supercut researchers or popularizers, like Tom McCormack and Andy Baiohad left out.

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Neste vídeo, saiba mais. The supercut is part of this; indeed, every time we use a search engine, we commission a computer to make us something quite like a supercut. Armed with this conclusion, part two sets out to discover the various roots of the supercut with this desire-centered-ness, and other pragmatics, as a guide. Como elas são preparadas?

In fact, just as the conventions of classical continuity editing direct spectatorial attention toward elements of the unfolding narrative and away from extraneous details, so also the strong patterning in supercuts focuses viewer attention toward that which repeats, stoking uncritical desire for that repetition, regardless of the content of the images. Lesbian, gay, bisexual, transgender, and queer (LGBTQ) people in Turkey face legal challenges not experienced by non-LGBTQ residents, though the overall situation is considered to be less repressive when compared to most other Muslim-majority countries.

While critical analysis is certainly possible within the form, the supercut, broadly speaking, naturally gravitates toward desire instead of analysis.

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This project thus primarily represents an attempt to bring a more rounded database-approach to the histories of the supercut, a database-form. In my conclusion, I imagine decoupling database-thinking from its service to capitalist systems of control and argue that now is the time to imagine what this liberation of the database episteme could look like, both in the supercut and across culture more broadly.

[2] Inthe Ottoman Empire —the predecessor of the modern-day Republic of Turkey—adopted a new penal code, which no longer contained. [2] Inthe Ottoman Empire —the predecessor of the modern-day Republic of Turkey—adopted a new penal code, which no longer contained. The genealogies of the supercut, which extend well past YouTube compilations, back to the s and beyond, reveal it not as an aesthetic that trickled from avant-garde experimentation into mass entertainment, but rather the material expression of a newly-ascendant mode of knowledge and power: the database episteme.

As I performed over a year of image-research and encountered quite a few more cultural tributaries of the supercut in places I had not expected, it became clear that the supercut was never just a subset of remix, compilation, or fan culture, but was instead a material expression of a new historical mode of knowledge and power: the database episteme. Over the past century, we have come to think of nearly every aspect of our lives as composed of data.

Turkish bears form a remarkable community in Istanbul’s gay life, although there are not many venues catering to bear men exclusively.

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Structurally, this essay breaks up into three parts. Accordingly, in part three I argue for the supercut as an example of what happens when an episteme takes root ideologically well before the technologies corresponding to the world it envisions have been invented. Use o Lens no Maps para visualizar rotas a pé no mundo real Filtre restaurantes por tipo de culinária, horário de funcionamento, preço, avaliação e muito mais Pergunte tudo que quiser .